{"id":277,"date":"2015-10-24T16:08:14","date_gmt":"2015-10-24T20:08:14","guid":{"rendered":"http:\/\/s1090897154.onlinehome.us\/orijikan\/?p=277"},"modified":"2015-10-25T21:55:50","modified_gmt":"2015-10-26T01:55:50","slug":"what-are-the-modes-of-the-accidental-network","status":"publish","type":"post","link":"https:\/\/www.orijikan.com\/?p=277","title":{"rendered":"What are the modes of orijikan?"},"content":{"rendered":"<ul>\n<li><strong>The modes currently used in orijikan come from the major, melodic minor, neapolitan major, harmonic minor, harmonic major, melodic major, neapolitan minor, hungarian, byzantine, enigmatic, whole-tone, and diminished scales.<\/strong><\/li>\n<\/ul>\n<hr \/>\n<p>The modes used in the weaving of orijikan are not restricted to the church modes. \u00a0In fact, any scale other than C ionian can be said to be a &#8220;mode&#8221; relative to it since only C ionian is all natural and thus all other scales must by more &#8220;accidental&#8221; than it.<\/p>\n<p>&#8220;Scale permutation explanation&#8221;<\/p>\n<p>Consult <a href=\"http:\/\/docs.solfege.org\/3.21\/C\/scales\/modes.html\">this page <\/a>[lnk] for more information on these scales and their modes.<br \/>\n&#8220;Ionian as origin; everything else relative&#8221;<\/p>\n<p>The <a href=\"http:\/\/s1090897154.onlinehome.us\/orijikan\/?p=169\">most complete accidental network to date <\/a>incorporates 73 modes from 12 different scales, each scale consisting of seven tones spanning one octave. \u00a0If instead we have seven tones spanning two octaves, this would be known as a heptatonic 2-scale; if spanning seven octaves, a 7-scale; and so on.<\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong>Heptatonic scales with steps only (21 modes)<\/strong><\/p>\n<p><strong><em><a href=\"http:\/\/docs.solfege.org\/3.21\/C\/scales\/maj.html\">Major<\/a><\/em><\/strong><br \/>\n(ionian, dorian, phrygian, lydian, myxolydia, aeolian, locrian)<br \/>\n(ion, dor, phr, lyd, myx, aeo, loc)<br \/>\n(Maj1, Maj2, Maj3, Maj4, Maj5, Maj6, Maj7)<\/p>\n<p><strong><em><a href=\"http:\/\/docs.solfege.org\/3.21\/C\/scales\/mel.html\">Melodic Minor<\/a><\/em><\/strong><br \/>\n(jazz, javanese, lydian augmented, lydian dominant, hindu, superlocrian, altered)<br \/>\n(jaz, jav, lda, ldd, hin, slo, alt)<br \/>\n(Jaz1, Jaz2, etc)<\/p>\n<p><em><strong><a href=\"http:\/\/docs.solfege.org\/3.21\/C\/scales\/nea.html\">Neapolitan Major<\/a><\/strong><\/em><br \/>\n(Nea1, Nea2, etc)<\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong>Heptatonic 2-scale with skips only<\/strong><\/p>\n<p><em><strong><a href=\"http:\/\/s1090897154.onlinehome.us\/orijikan\/?p=300\">GBDFACE<\/a><\/strong><\/em><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong>Heptatonic 7-scale with<a href=\"http:\/\/s1090897154.onlinehome.us\/orijikan\/?p=246\"> jumps <\/a>only<\/strong><\/p>\n<p><em><b><a href=\"http:\/\/s1090897154.onlinehome.us\/orijikan\/?p=302\">FCGDAEB<\/a><\/b><\/em><\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong>Heptatonic scales with one skip (49 modes)<\/strong><\/p>\n<p><em><strong><a href=\"http:\/\/docs.solfege.org\/3.21\/C\/scales\/har.html\">Harmonic Minor<\/a><\/strong><\/em><br \/>\n(Har1, Har2, etc)<\/p>\n<p><em><strong><a href=\"http:\/\/docs.solfege.org\/3.21\/C\/scales\/ham.html\">Harmonic Major<\/a><\/strong><\/em><br \/>\n(Hrm1, Hrm2, etc)<\/p>\n<p><em><strong><a href=\"http:\/\/www.tonalcentre.org\/Melodic.html\">Melodic Major<\/a><\/strong><\/em><br \/>\n(Mlm1, Mlm2, etc)<\/p>\n<p><em><strong><a href=\"http:\/\/docs.solfege.org\/3.21\/C\/scales\/nem.html\">Neapolitian Minor<\/a><\/strong><\/em><br \/>\n(Nem1, Nem2, etc)<\/p>\n<p><em><strong><a href=\"http:\/\/docs.solfege.org\/3.21\/C\/scales\/hun.html\">Hungarian<\/a><\/strong><\/em><br \/>\n(Hun1, Hun2, etc)<\/p>\n<p><em><strong><a href=\"http:\/\/docs.solfege.org\/3.21\/C\/scales\/dha.html\">Byzantine<\/a><\/strong><\/em><br \/>\n(Byz1, Byz2, etc)<\/p>\n<p><em><strong><a href=\"http:\/\/docs.solfege.org\/3.21\/C\/scales\/modes.html\">Enigmatic<\/a><\/strong><\/em><br \/>\n(Eng1, Eng2, etc)<\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong>Non-Heptatonic scales (3 modes)<\/strong><\/p>\n<p><em><strong><a href=\"http:\/\/docs.solfege.org\/3.21\/C\/scales\/modes.html\">Whole-Tone<\/a><\/strong><\/em><\/p>\n<p><em><strong><a href=\"http:\/\/docs.solfege.org\/3.21\/C\/scales\/modes.html\">Diminished<\/a><\/strong><\/em><br \/>\n(Whf, Hfw)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The modes currently used in orijikan come from the major, melodic minor, neapolitan major, harmonic minor, harmonic major, melodic major, neapolitan minor, hungarian, byzantine, enigmatic, whole-tone, and diminished scales. The modes used in the weaving of orijikan are not restricted to the church modes. \u00a0In fact, any scale other than C ionian can be said &hellip; <a href=\"https:\/\/www.orijikan.com\/?p=277\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">What are the modes of orijikan?<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-277","post","type-post","status-publish","format-standard","hentry","category-orijikan"],"_links":{"self":[{"href":"https:\/\/www.orijikan.com\/index.php?rest_route=\/wp\/v2\/posts\/277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orijikan.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.orijikan.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.orijikan.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orijikan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=277"}],"version-history":[{"count":22,"href":"https:\/\/www.orijikan.com\/index.php?rest_route=\/wp\/v2\/posts\/277\/revisions"}],"predecessor-version":[{"id":379,"href":"https:\/\/www.orijikan.com\/index.php?rest_route=\/wp\/v2\/posts\/277\/revisions\/379"}],"wp:attachment":[{"href":"https:\/\/www.orijikan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.orijikan.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.orijikan.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}